Good evening, my friends. Did you ever watch a movie and just realize that you like it even better because it is based on real events? I sometimes feel like that's the case with books. Sometimes, we need to read about things that really happened to somebody else. People are curious by nature. Besides, the experiences of others can have an educational or emotional impact on us. That's why, from time to time, I also like to read a good memoir.
My next guest writes fiction, and has recently written and published his own story. Please say hello to Tim Rees!
Hi Tim. It’s so cool to have you here. Thanks for dropping by. Will you introduce yourself to the readers?
Hello,
I'm Tim Rees. My background is BBC drama. But before that I was in the army, the
First Battalion Welsh Guards to be exact, where I experienced active service in
Northern Ireland and the Falklands war. It was after military service I got a job
in BBC drama and made a Play For Today about the Falklands
war. 'Mimosa Boys' was broadcast on BBC1. I went on to make many more BBC
dramas and films. I left the BBC to focus on my own material. My first novel
was a thriller titled Raw Nerve about the first black president of the USA - I'm Welsh and live in the UK, by the way.
My experience with Raw Nerve and traditional publishing is too long to go into
now, so to cut a long story short, one vice president of one of the biggest
publishers in New York personally accused me
of stretching credulity to breaking point and beyond by suggesting America
would ever have a black president. I had actually flown to New York to sign a
deal with HarperCollins, but it's part of the long story I mentioned earlier;
suffice to say that the novel was hailed by pretty much every editor in the big
publishing houses my agent at the time sent it to, but the presidents of those
publishers felt it too controversial. "We cannot be associated with riots
in the streets," was one reason I remember being told. In the end I self
published Raw Nerve, but that was in the very early days of self-publishing
before Amazon. I unpublished Raw Nerve when Barack Obama was elected as it sort
of rendered Raw Nerve redundant, although I have had requests to republish as,
I'm told, a good book is always a good book.
Anyway,
after Raw Nerve I fell in love with a woman who had two children and spent
years in the literary wilderness, metaphorically speaking. But I had to return
to writing and knew the industry had changed radically with the advent of
Amazon. So I decided to write a memoir to get my foot in the traditional
publishing door and subsequently, In Sights: The Story Of A Welsh Guardsman,
was published by The History Press.
The
'foot in the door' didn't work as the novel I wrote to follow up my entry into
traditional publishing, a story titled Delphian, came in at 170,000 words, that
equates to around five hundred pages, and, according to my agent, traditional
publishing don't take risks on big print runs now to get the price point right
and printing costs over two-hundred and fifty pages escalates, so I found
myself back at self-publishing again and exclusively electronic publishing as I
learned my agent is right. If I were to make some money from a self-published
paperback version of Delphian I'd have to charge around twenty dollars per
book.
Yes, tell me more about Delphian. It is
a thriller focused on British intelligence. Where did you get the idea from?
That's
easy to answer: I wanted to expose the hypocrisy that is vivisection, yet I
accept the argument that if I had a child dying of cancer I would be desperate
for a cure. Thus the story begins with someone's child being used as a
vivisection subject.
And
I was intrigued by the challenge of creating a Jason Bourne type character
who's also a master of disguise, like Forsythe's The Jackal. For a long time I
have played with the idea of a character who can re-invent himself almost
daily. How difficult would he be to catch?
I
also wanted the story to have a strong female lead and the young lady that
walked into that role has exceeded all my expectations.
What is special about your novel’s protagonist
and his struggle as an agent?
Vincent's
job as an intelligence agent was to cover up potential political banana skins.
For example when it was discovered there were no weapons of mass destruction in
Iraq,
the scientist David Kelly was very outspoken about our political leaders
knowing that. David Kelly died supposedly of a heart attack. As a writer that
scenario sparks my imagination. So, in short, Vincent was a government
assassin. However, when he's confronted with a young girl being used as a
vivisection subject in medical research funded by the British government, he
goes rogue. He's determined people are going to pay, thus his struggle is now
with his own conscience.
Your other novel, WTF: An Untypical Love Story, “is
a story told through the eyes of a 21 year-old SAS-type soldier as his life
crashes from one life changing drama into the next against a background of
national news headlines” (book description quoted here). What is the main
difficulty that the main character has to cope with?
James
has so many problems in WTF that I don't know where to start. And, actually, to
lay it all out will be a spoiler for anyone wishing to read the novel. Suffice
to say, as you mentioned, he's twenty-one and he falls in love very easily -
too easily. I think it's okay to say that being headline news doesn't help an
SAS-type soldier whose job requires his identity to be secret.
The style of WTF is quite unique. What
inspired your style, and what makes it as special as it is?
Everything
about WTF is different about how I normally approach a story. First of all my
mother died and I began the novel the very next day as a means to focus my mind
on something else. I finished the first draft in six weeks, which is alarmingly
fast for me. It's quite a linear storyline written in first person, but I see
and feel so many layers to it. As for style, the book begins in short, punchy
sentences that hopefully convey the breathlessness James is experiencing. But I
could talk about WTF all day, but it's for the reader to decide whether I've
succeeded in writing a story that is first and foremost entertaining, whilst
offering thought provoking perspectives. It's certainly a unique novel for me
to have written and I personally haven't read anything quite like it, by that I
mean, as challenging of so many commonly held views.
What was
the most memorable event of your life?
I
wrote about a very memorable event of my life in In Sights: The Story Of A
Welsh Guardsman. The Falklands war was a huge
life and character changing event. You don't go through an experience like that
without changing your perspective on every aspect of life. But my time in Kenya, also recounted in In Sights,
had a profound effect on me. But
discovering my creativity is my most memorable period because only then was I
able to fully love me. If there is one thing I could change, that would be to
have started writing a lot sooner and have said to hell with every thing else.
What is
the best thing about being a writer?
Oh,
that one's easy too. As a novelist I can create the change I wish to see, at
least on the pages of a book, but that's a start isn't it? If I offer readers a
new or alternative perspective that cause them pause to think, so much the
better. But first and foremost a novel needs to be entertaining. I believe it
is by wrapping difficult subject matter in entertainment we make it so much
more digestible.
If you
had the opportunity and all the means necessary to change the world, what would
you do?
I
would say to humankind that all life forms add their own colour to the world
and that it is important for us to embrace all the colours regardless of
personal taste.
What is
your next project?
I
am currently writing a stand-alone thriller that again features Vincent.
What is
your greatest ambition in life?
My
ambition is to write that next novel and to make all my novels into films so
the stories can reach a wider audience. I have already adapted both Delphian
and WTF for the screen.
What
inspires you the most?
Planet
Earth and the myriad stories written in each leaf of every tree. Human and
animal rights and the parity that needs to exist between the two.
Do you
watch TV? Do you have a favourite TV show or movie?
I
do watch a lot of TV and films. I don't have a favourite as there is so much
brilliantly creative dramas I see all the time.
What
kinds of books do you usually read?
Thrillers
mainly now, but my favourite book has to be James A. Michener's Centennial. I
especially loved the story about Little Beaver. Also, as a teenager I loved the
Tarzan books by Edgar Rice Burroughs. I would encourage all young men to read
Tarzan Of The Apes as, for me, it is a profound study of one man's evolution in
harmony with our planet Earth. It is through those pages I learned to
appreciate all life we share this planet with.
Thank you very much for dropping by, Tim!
If you are interested in Tim's books and in more infos about the author, please visit:
http://author.to/TimRees
http://author.to/TimRees
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